In this video, Wheatstone Vice President Andy Calvanese talks about why WheatNet-IP for broadcast television audio is so important. He discusses how the inclusion of three key components in the network are critical to making it adaptable to virtually any and all production and live broadcast applications. Please take a few minutes to view this video!
In this short video, some reflections on the nature of TV audio from your friends at Wheatstone. Special thanks to actor Allen Andrews. #wheatnet
In this, the first in a series of how-to videos, Phil Owens introduces you to one of Wheatstone's TV control surfaces, and then demonstrates the creation of associated connections, an important WheatNet-IP feature that automates the routing of such things as IFBs and mix-minus feeds.
From time to time we check in with our customers to see how things are going. This month, we found the folks at WXXI AM/FM/TV in good spirits and busier than ever.
Kent Hatfield in charge of audio operations for WXXI television and radio showed us around the facility, which has clearly seen a lot of changes since the Rochester, New York, pubcaster set up shop with ten Wheatstone D-9 and G series consoles networked into a Wheatstone TDM system 12 years ago.
by Steve Dove
Wheatstone Minister of Algorithms
There's a big difference between what it takes to get live voice straight to air, and what the sound engineer needs to do for audio that will be post-produced. In the latter case, it’s always a good idea to just concentrate on getting it all down cleanly with good consistent levels and minimal processing. The boys in post-production will definitely not thank you if they have to try and unwind heavy EQ you wound in, or deal with irreversible deep compression.
